When you download an XR12 app for your OS, you can rest assured that you will get the fully optimized experience we intended. PC/Mac and Linux based applications for the XR12 mixer. Android, iOS & Windows Compatible. Behringer X AIR XR12 - 12 Channel Digital Mixer.
![]() ![]() Behringer Xr12 App Software That AllowsAndroid smartphones/tablets: X AIR Android from the Google Play store Apple iPad: X AIR for iPad from the Apple App store PC: X AIR EDIT for Windows, Mac or Linux from behringer.com 2. Download and install the remote control app for your device. Here, I’ll be giving you a description of the XR18’s main capabilities, and my impressions of owning and using it as a live-sound mixer. When I looked at the physical size of the unit and the overall cost of purchasing one, out came the credit card, and a couple of days later I owned one. When I read this, it made the XR18 sound like something I’d be interested in any day of the week, and around the same time, a live job came up for which I needed a very compact, low-profile system. Is a software that allows you to control digital mixers of Behringer XAIR and X32.Behringer describe their XR18 as an “18-channel, 12-bus digital mixer for iPad/Android tablets, with 16 programmable Midas preamps, integrated Wi-Fi module and multi-channel USB audio interface”.This is all very handy stuff, and provided cable lengths are not too long and there are no ground-loop issues, the XR18 is all you need on a small band stage, as everything — mics, guitars, keyboards, playback — can just connect directly. Inputs 1 and 2 can accept signals from instruments such as electric guitars and basses that need to ‘see’ a very high impedance. The 16 mic inputs are accessed via ‘combi’-type connectors which will take XLR or standard 6.3mm jack plugs (you can connect balanced or unbalanced sources), and so line-level inputs direct from jack-equipped gear can be plugged straight in. Although none of the usual mix controls appear on the unit itself — everything being controlled remotely — there is a local headphone output, which is useful for monitoring from the stage if necessary. There are also MIDI control ports, an Ultranet port for use with Behringer’s P16 monitoring system, and a USB port that allows 18 channel bi-directional traffic for recording and playback on an external DAW application. The Ethernet port is where a LAN control cable or external wireless router is hooked up, and the associated ‘remote’ switch selects the control mode between LAN, Wi-Fi client or Access Point options. The other connectors at the top of the panel are those concerned with control and digital I/O. However, I have to say that the design of the apps and the responsiveness of the XR18 system overall makes this a very positive experience, and in some ways it might be an easier transition for anyone used to an analogue mixer as it’s an altogether different mindset. In the years since I bought my first fully digital console I have often wished that I could have the option of controlling everything through a software application, but doing away with the physical control surface completely is a big step. There is an on/off switch alongside the IEC connector on the side panel, and of course this is no longer accessible from the front when the XR18 is mounted in a rack — you either have to stick your hand in from the back or leave it switched on, which is what my crew do as they haven’t found it yet.The idea of such mixers is that the ‘stagebox’ part, which contains all the mix processing, sits near to the performers, with the control device being operated at the mix position the controller is the interface between operator and system and, in the case of the XR18, there are no ‘real’ physical controls at all — everything is done on a touchscreen or with a mouse and keyboard. I installed mine in an empty 3U shallow rack case in about five minutes, and it not only looks the business but — being such a small unit to begin with — there’s plenty of space left inside the case to store the mains lead, some Cat 5 cables and an external router if you plan to use one. All of this massive functionality is built into a very neat and sturdy stagebox, which has rubber bumpers on each end for stand-alone use, or can be mounted into a case or rack using the supplied rack ears. It’s all there on the one screen — fabulous!Across the top of the screen is a row of tabs where the current view is selected. All of the input channels, the effects returns and the main output faders are displayed at the same time, so there’s no layer-jumping to see and control whatever you want. The app itself looks very good and the screen layout is very easy to understand — the first time you see your new mixer surface is when the control software is launched! Even if you haven’t got an XR18, you can download the app and play about with some of the functions to get a feel for what it can do.The main screen layout is clear and its features should be obvious to anyone familiar with almost any digital mixer. Therefore I’ll run briefly through the mixer functions as accessed on the PC control software, although the tablet versions have pretty much identical functionality.Having downloaded the program, installation on my laptop was straightforward and quick, and I connected to the XR18 via the LAN option (you can of course set up the wireless connection whilst in this mode). As far as I know there isn’t an iPhone version as yet, and I’m sure that this will be high on the potential users’ wish lists.Right from the start I had intended to use my XR18 with a Cat 5 cable and a laptop as the main ‘live’ setup, and use the wireless capability during setup and soundchecks — a safe mix of options as far as I’m concerned, using the best of both operating modes. N64 emulator mac hd texturesThe controls operate in an intuitive way (provided of course that you understand what they do), and I particularly like the way a slider handle appears as the mouse pointer lands within an indicator bar within the gate and compressor screens. I like the way that if you click on something in a view which doesn’t allow editing of that parameter, the view immediately switches to one where you can, which is really neat.As well as from iOS and Android touchscreen devices, the XR18 can also be driven from a Mac or Windows computer using a traditional mouse.The gate, EQ and compressor tabs get you straight into a detailed window for each, providing excellent and clear graphics and smooth adjustment either by altering or entering values, or dragging curves where appropriate. If you go to the ‘input’ tab itself, then the detailed parameters can be edited. The other tabs allow deeper access into various sections of the mixer: the next tab, ‘channel’, displays a more detailed, larger-scale view of the main input functions, namely input settings (source, level, phantom power, polarity invert, insert effects and so on), and allows some adjustments and editing. The effects can be configured as inserts on any input (1 to 16) or output bus including main left/right output. Almost more impressive than how they sound is how easy it is to load them and use them it’s about as simple and obvious a process as you could imagine, and everything is right there on the screen. The detailed description names various famous classic devices which have ‘inspired’ some of the Behringer effects — all I can say is that they sound good when I’m using my own X32 and they sound just as good here in the little XR18. There are 41 types available and these can be loaded into the four-slot virtual effects rack. ProcessingIf you like the effects processors in Behringer’s X32 mixer, you’ll recognise those in the XR18. The last two tabs call up an overview of the four-slot effects rack, and a meter view that displays current real-time audio levels of all inputs, buses and sends, so you can see absolutely everything on the same page. The XR18 control app allows aux sends to be controlled by ‘sends on faders’ or by direct per-channel adjustment using the ‘sends’ tab, so whichever method you’re used to, it’s all here ready to be used without fear or panic. And the poor guy on the desk is frantically trying to work out why the main mix is sounding all wrong and then alas, too late, noticing the ‘sends on faders’ button flashing happily. I’ve witnessed more than a few near-panic situations where someone on stage is (politely, of course) requesting more of this, less of that, some reverb over here and none over there, I hate my guitar and so on. Route MasterOne of the things which often confuses those new to digital consoles is the setting up of auxiliary sends — especially for anyone not used to the ‘sends on faders’ approach. Clicking on any of the effects (which are nicely represented with authentic-looking front-panel views, as in the X32) brings in a larger view of the ‘hardware’ and allows all of its front panel knobs to be adjusted by dragging the mouse pointer or hovering and scrolling with the mouse wheel.
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